Summer Apprentice spotlight: Brionie Nelson and Hanibal Grant at UAP New York's Rock Tavern workshop

This summer, UAP New York had the pleasure of hosting two talented apprentices, Brionie Nelson and Hanibal Grant, from the Dick Polich program. Over the past two months, Brionie and Hanibal immersed themselves in various projects at our Rock Tavern workshop, gaining hands-on experience and invaluable insights into the world of public art and design. We sat down with them to discuss their experiences, challenges, and the skills they have acquired during their time with UAP.

What motivated you to apply for an internship at UAP

Brionie Nelson (BN) I applied for an internship at UAP after volunteering at the Orange County Arts Council’s "Art Affair" event hosted at UAP. I was in awe of the sculptures and artwork I saw there. Attending the gala where Ursula von Rydingsvard was honored, an artist I admired since high school, inspired me further. Learning about UAP’s prestigious reputation through research and conversations solidified my decision to apply.

Hanibal Grant (HG) I wanted to gain hands-on experience in a design-related field before my junior year, which motivated me to apply for an internship at UAP. I was particularly drawn to UAP because of its renowned art and design reputation and collaborative environment that fosters creativity and innovation. Working at UAP will provide me with valuable insights and practical skills in design, preparing me for my future career. This internship was the perfect opportunity to immerse myself in real-world projects and learn from some of the best professionals in the industry.

Can you describe your role and the projects you've worked on during your internship?

(BN) During my time at UAP, I gained experience in various departments and learned a wide range of skills. I worked in the paint, design, preservation, wax, artist residency, and finishing departments. In the finishing department, I worked on chases for a tree sculpture and retouched cast shells. As an artist assistant in the residency wing, I learned to rework sculptures in the wax department and even had the opportunity to see a batch of Oscar awards. In preservation, I focused on maintaining structural quality. The design wing taught me blueprinting and virtual reality for an AIDS Walk memorial. In the paint department, I gained an appreciation for the meticulous detail required in creating sculptures

(HG) My role included design for take-offs, presentation preparation, and VR preparation. I worked on projects like the Honolulu Interactive Center, AIDS Memorial, assisting on the design documentation for Leonardo Drew and even an artwork’s shipping container panels

Can you share a challenging moment you faced and how you overcame it?

(BN) One challenging moment I faced at UAP occurred in the finishing wing. I found it challenging when it came to removing the gates on a cast piece and completing chases on the sculptures. I had to use power tools and needed to understand how each tool would affect the piece's outcome. After more practice with the tools and understanding their functions and capabilities, I was better able to overcome this challenge.

(HG) In my first take-off, I struggled with SubD modeling but overcame it by seeking help from the design department

How would you describe the company culture at UAP?

(BN) I believe UAP's company culture thrives on collaboration, innovation, and genuine care and understanding for its workers and artists. UAP encourages cooperation among the business, clients, and workers, fostering a supportive and creative environment that drives exceptional results.

(HG) The culture at UAP is a unique blend of friendliness, a laid-back atmosphere, and focused professionalism. Everyone here is approachable and supportive, creating a welcoming environment where collaboration thrives. Despite the relaxed vibe, we strongly emphasise maintaining high standards and achieving excellence in our work.

What aspects of working at UAP do you enjoy the most?

(BN) I enjoy working in different departments, meeting artists, and the sense of history and commitment within the team. Workshops that allow continuous learning are also a highlight.

(HG) I enjoy the friendliness and comfort of the design department.